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Ek, CEO of Swedish music streaming service Spotify, gestures as he makes a speech at a press conference in Tokyo on September 29, 2016. 
Spotify kicked off its services in Japan on September 29. / AFP / TORU YAMANAKA        (Photo credit should read TORU YAMANAKA/AFP/Getty 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5-23-19</image:title></image:image><lastmod>2019-05-24T04:26:30+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://musictech.solutions/2019/03/19/spotify-songwriter-town-halls-go-ahead-make-my-day/</loc><lastmod>2019-03-19T21:55:06+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://musictech.solutions/2019/02/20/minding-the-value-gap-the-uk-parliaments-report-on-disinformation-and-fake-news/</loc><image:image><image:loc>https://musictech.solutions/wp-content/uploads/2019/02/tom-watston-basca.jpg</image:loc><image:title>Tom Watston BASCA</image:title><image:caption>EDITORIAL USE ONLY&#13;Sheffield-based busker Madeleina Kay performs for justice outside YouTube’s offices in Kings Cross London as part of the #LoveMusic campaign which supports copyright law to be updated by the EU on September, 12th. PRESS ASSOCIATION Photo. Picture date: Thursday September 6, 2018. She receives an average 50p for her live performance from passers-by - to earn just 50p from online streaming, her tracks would need to be listened to 100,000 times. 1 million streams on YouTube generates around £540 for an artist whilst a song needs to be streamed 51.1 million times on YouTube before the creator can make the average UK annual salary of £27,600. Photo credit should read: Jonathan Hordle/PA Wire&#13;&#13;Ed Harcourt, Crispin Hunt chairman of BASCA, Madeleina Kay, Dave Rowntree of Blur, Tom Watson MP and Newton 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