Infrastructure, Not Aspiration: Why Permissioned AI Begins With a Hard Reset

Paul Sinclair’s framing of generative music AI as a choice between “open studios” and permissioned systems makes a basic category mistake. Consent is not a creative philosophy or a branding position. It is a systems constraint. You cannot “prefer” consent into existence. A permissioned system either enforces authorization at the level where machine learning actually occurs—or it does not exist at all.

That distinction matters not only for artists, but for the long-term viability of AI companies themselves. Platforms built on unresolved legal exposure may scale quickly, but they do so on borrowed time. Systems built on enforceable consent may grow more slowly at first, but they compound durability, defensibility, and investor confidence over time. Legality is not friction. It is infrastructure. It’s a real “eat your vegetables” moment.

The Great Reset

Before any discussion of opt-in, licensing, or future governance, one prerequisite must be stated plainly: a true permissioned system requires a hard reset of the model itself. A model trained on unlicensed material cannot be transformed into a consent-based system through policy changes, interface controls, or aspirational language. Once unauthorized material is ingested and used for training, it becomes inseparable from the trained model. There is no technical “undo” button.

The debate is often framed as openness versus restriction, innovation versus control. That framing misses the point. The real divide is whether a system is built to respect authorization where machine learning actually happens. A permissioned system cannot be layered on top of models trained without permission, nor can it be achieved by declaring legacy models “deprecated.” Machine learning systems do not forget unless they are reset. The purpose of a trained model is remembering—preserving statistical patterns learned from its data—not forgetting. Models persist, shape downstream outputs, and retain economic value long after they are removed from public view. Administrative terminology is not remediation.

Recent industry language about future “licensed models” implicitly concedes this reality. If a platform intends to operate on a consent basis, the logical consequence is unavoidable: permissioned AI begins with scrapping the contaminated model and rebuilding from zero using authorized data only.

Why “Untraining” Does Not Solve the Problem

Some argue that problematic material can simply be removed from an existing model through “untraining.” In practice, this is not a reliable solution. Modern machine-learning systems do not store discrete copies of works; they encode diffuse statistical relationships across millions or billions of parameters. Once learned, those relationships cannot be surgically excised with confidence. It’s not Harry Potter’s Pensieve.

Even where partial removal techniques exist, they are typically approximate, difficult to verify, and dependent on assumptions about how information is represented internally. A model may appear compliant while still reflecting patterns derived from unauthorized data. For systems claiming to operate on affirmative permission, approximation is not enough. If consent is foundational, the only defensible approach is reconstruction from a clean, authorized corpus.

The Structural Requirements of Consent

Once a genuine reset occurs, the technical requirements of a permissioned system become unavoidable.

Authorized training corpus. Every recording, composition, and performance used for training must be included through affirmative permission. If unauthorized works remain, the model remains non-consensual.

Provenance at the work level. Each training input must be traceable to specific authorized recordings and compositions with auditable metadata identifying the scope of permission.

Enforceable consent, including withdrawal. Authorization must allow meaningful limits and revocation, with systems capable of responding in ways that materially affect training and outputs.

Segregation of licensed and unlicensed data. Permissioned systems require strict internal separation to prevent contamination through shared embeddings or cross-trained models.

Transparency and auditability. Permission claims must be supported by documentation capable of independent verification. Transparency here is engineering documentation, not marketing copy.

These are not policy preferences. They are practical consequences of a consent-based architecture.

The Economic Reality—and Upside—of Reset

Rebuilding models from scratch is expensive. Curating authorized data, retraining systems, implementing provenance, and maintaining compliance infrastructure all require significant investment. Not every actor will be able—or willing—to bear that cost. But that burden is not an argument against permission. It is the price of admission.

Crucially, that cost is also largely non-recurring. A platform that undertakes a true reset creates something scarce in the current AI market: a verifiably permissioned model with reduced litigation risk, clearer regulatory posture, and greater long-term defensibility. Over time, such systems are more likely to attract durable partnerships, survive scrutiny, and justify sustained valuation.

Throughout technological history, companies that rebuilt to comply with emerging legal standards ultimately outperformed those that tried to outrun them. Permissioned AI follows the same pattern. What looks expensive in the short term often proves cheaper than compounding legal uncertainty.

Architecture, Not Branding

This is why distinctions between “walled garden,” “opt-in,” or other permission-based labels tend to collapse under technical scrutiny. Whatever the terminology, a system grounded in authorization must satisfy the same engineering conditions—and must begin with the same reset. Branding may vary; infrastructure does not.

Permissioned AI is possible. But it is reconstructive, not incremental. It requires acknowledging that past models are incompatible with future claims of consent. It requires making the difficult choice to start over.

The irony is that legality is not the enemy of scale—it is the only path to scale that survives. Permission is not aspiration. It is architecture.

#irespectmusic and #savesoho Join Forces in London, Tuesday, April 18!

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BBC 6 Music’s Matt Everitt hosts this very special event.

The Save Soho pop-up venue returns to The Union Club for a special meeting bewteen two artists, both well known for their activism in the music sector. Blake Morgan, from New York – founder of #IRespectMusic and Tim Arnold from London – founder of Save Soho.

This will be a chance to hear both artists perform as well as hear each of them discuss their passion for protecting the rights and freedoms of the creative communities in the UK and the U.S with their campaigns.

The Reservation continues the Soho tradition to support emerging artists.. For this event we are delighted to welcome singer Sara Strudwick in her debut London show.

Make your reservation now….

http://www.seetickets.com/event/save-soho-the-reservation/the-union-club/1064413

#IRespectMusic: It’s Time for the New Congress to get Serious About the Performance Right for Artists

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Friends don’t let friends get LRFA’d.

Once again we’ve started a new session of Congress with really old news–the National Association of Broadcasters is yet again circulating the reactionary Local Radio Freedom Act (or the grammatically challenged “LRFA”) that’s been warmed over and served up again from the last Congress.

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LRFA’s purpose is twofold.  Get unsuspecting Members to support a policy to deny recording artists their fair share for the performance of their recordings on terrestrial radio.  How?   By aligning America with the practice of Iran and North Korea that is out of step with the business of every other major world economy.  And because America denies the world’s recording artists the same treatment that American artists would enjoy overseas, America’s trading partners justifiably refuse Americans reciprocal treatment in foreign countries.  Which is more embarrassing?

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It’s not that American artists don’t earn the foreign performance royalties–it’s that the royalties earned overseas by hardworking Americans are denied to them because Congress is misled by the NAB into thinking that fair compensation is somehow bad policy and the US denies equal treatment to foreign artists.  Why should those countries–who actually care about their creative class–grant reciprocal treatment to Americans?

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It goes like this:  When you hear Aretha Franklin sing “R-E-S-P-E-C-T” written by Otis Redding on the radio in your car, that economic transaction results in Otis Redding (the songwriter) getting paid as a songwriter under the government’s 75 year consent decrees (another sad story).  Aretha Franklin, however, gets ZERO.

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When that same recording is played in the UK, Otis Redding still gets paid as the songwriter, but the artist does, too.  Except that because Aretha is an American, her money is never paid to her.

This obvious inequity is what motivated over 14,000 musicians and music fans to sign the I Respect Music petition in the last Congress and created the largest grass roots movement in the history of the music business with a positive message.  Because friends don’t let friends get LRFA’d.

It’s one of the few issues left that is truly bipartisan.

When Blake Morgan and the IRM team took the 14,000 signatures on the IRM petition to Congress, they had to carry two huge books of signatures.  And yet, we once again are presented with getting LRFA’d.

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LRFA is the Alinsky-style straw man–demonize your opponent as something you want people to believe your opponent to be (a “tax” for example), then perpetuate that mischaracterization no matter what.  (In the current parlance, something pretty close to gaslighting fake news.)

This LRFA legacy “nonbinding resolution” has become an evergreen in the arsenal of the NAB’s gaslighting efforts to perpetuate exploitation of recording artists for one reason and one reason only–because they can.  The NAB gets a bunch of Members to sign up, don’t tell them the truth about what they signed, and hope that nobody tells them otherwise until it’s too late.  But when Blake teaches the I Respect Music story on college campuses across America, it requires little explanation.

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What the NAB’s vast army of lobbyists will do with the LRFA after they largely dupe Members into signing on to it (and dupe Members staffs into allowing their bosses to sign on without doing the real staff work to know how they are being duped) is to perpetuate the greatest inequity in the Copyright Act by convincing members that any performance right legislation is doomed to fail so why support it?

How do we know this?  Because the NAB did the same thing in the last session.  When artists met with Members in their offices to discuss what happened, it turned out that many Members had no idea what the real story was behind LRFA.

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It’s important that your Member of Congress understand what the NAB is up to with this gaslighting campaign.  The truth behind this great inequity needs to be told along with the hard economic facts–because of faux legislation like LRFA, America is leaving hundreds of millions in real revenue from foreign countries that could easily be repatriated by American artists.

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Not to mention supporting future American artists.

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We cannot let another session of Congress pass by without fixing this great inequity.  Don’t let your Member of Congress be fooled again–because friends don’t let friends get LRFA’d.

Call your representatives and sign the I Respect Music petition by clicking here.

And vote.

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